TRACK 1 (Moy62-27-s09) Song 1: Duwun
| Sung text | Free translation |
|
dagan mele dagaldja dagan mele nele dagan mele dagaldja dagan mele nele ee karra duwun-ngana-yi gidji-djedjet-mandha-ya karra ka-me-yi |
Dagan mele dagaldja dagan mele nele Dagan mele dagaldja dagan mele nele Ee This came from Duwun Where he sat down and sang out that song That’s what he sang |
This song, which was composed by Robert Man.guna (an Emmiyangal songman who lived in the first half of the twentieth century), belongs to a series about pörrme (Mendhe ‘sea’) made by Man.guna’s brother ‘Darkie’ Appang Wanggigi and was first recorded by Alice Moyle in 1962 at Bagot (Darwin). It is about Duwun, the island off the west coast of the Cox Peninsula known in English as ‘Indian Island.’
Melodic section 1 comprises untranslated ghost language (this melodic section is presented twice in vocal section 1, but only once in later vocal sections). Melodic section 2 comprises text in Emmi, which explains that the preceding ghost language came from Duwun, where ‘he’ (that is, the song-giving ghost) sat down and sang it. Note that the composer is here describing his dream vision. Speaking to Alice Moyle 1968, Billy Mandji said, ‘I sat down and sang the song from Duwun’ (nginen-djedjet-manhdha duwun-ngana-yi).
After every second vocal section there is an instrumental section using fast uneven quadruple beating (rhythmic mode 5c).
Song structure summary
VOCAL SECTIONS 1-4
Melodic section 1 (repeated in vocal section 1)
Text phrases 1-2
Rhythmic mode 2 (slow even)
dagan mele dagaldja dagan mele nele
dagan mele dagaldja dagan mele nele
Text phrase 3
Rhythmic mode 1 (without clapsticks)
ee
Melodic section 2
Text phrase 4
Rhythmic mode 2 (slow even)
| karra | duwun | -ngana | -yi |
| SW | place name | -from | -PERF |
This came from Duwun,
| gidji | -djedjet | -mandha | -ya |
| 3MIN.S.R use arms | -sit down | -song | -away from speaker |
where he sat down and sang out that song
Text phrase 5
Rhythmic Mode 1 (without clapsticks)
| karra | ka-me | -yi |
| SW | 3MIN.A.R say | PERF |
That’s what he sang
INSTRUMENTAL SECTION 1 (follows vocal section 2)
Rhythmic mode 5c (fast uneven (quadruple))
INSTRUMENTAL SECTION 2 (follows vocal section 4)
Rhythmic mode 5c (fast uneven (quadruple))
